A project in collaboration with artist Lionel Estève for the presentation of the Fursac Spring-Summer 2025 collection.
In partnership with Perrotin and the Musée Picasso Paris.
Close to the horizon
Exhibition tour
Room 1
GOUTTE (2009)
The artwork placed at the entrance allows one to take in the entire surrounding space at a glance: the slightly pinkish pearl suspended in the doorway captures everything around it.
Room 1
GOUTTE (2009)
The artwork placed at the entrance allows one to take in the entire surrounding space at a glance: the slightly pinkish pearl suspended in the doorway captures everything around it.
Soleils (2023)
The series "3 or 4 Suns" (2023) represents different states of the star throughout the day. It highlights the importance of light in the artist’s work. Sometimes sparkling, almost fluorescent, sometimes discreet, the layered tulles (sometimes up to eight or ten layers) become temporal markers where chromatic variations measure the passage of time. Lionel Estève cuts and sews them to produce circles and create an illusion of depth.
The series "3 or 4 Suns" (2023) represents different states of the star throughout the day. It highlights the importance of light in the artist’s work. Sometimes sparkling, almost fluorescent, sometimes discreet, the layered tulles (sometimes up to eight or ten layers) become temporal markers where chromatic variations measure the passage of time. Lionel Estève cuts and sews them to produce circles and create an illusion of depth.
Embroidered Stones (2013)
These are stones caught in a network made of fluorescent fishing line. This embroidery draws a multitude of small stars that recall a reflection or the glitter of a somewhat strange and unknown mineral.
These are stones caught in a network made of fluorescent fishing line. This embroidery draws a multitude of small stars that recall a reflection or the glitter of a somewhat strange and unknown mineral.
Papier de Provence (2016)
Flowers occupy a prominent place in Lionel Estève’s work, who says he is interested "as much in their color as in their structure." He finds in flowers the balance between color and volume that is central to his concerns as a sculptor. In "Papier de Provence," he assembles real bouquets of plants that he covers with watercolor. The vividness of the colors recalls their infinite intensity in the natural world.
Flowers occupy a prominent place in Lionel Estève’s work, who says he is interested "as much in their color as in their structure." He finds in flowers the balance between color and volume that is central to his concerns as a sculptor. In "Papier de Provence," he assembles real bouquets of plants that he covers with watercolor. The vividness of the colors recalls their infinite intensity in the natural world.
Fruits d’atelier(2020)
Composition of fruits from the artist’s studio, placed in the showcase.
Composition of fruits from the artist’s studio, placed in the showcase.
Studio Jibé Furniture
Two 30s armchairs
1 stone table (from Ventura Lino)
Metal bowl 1970
Two 30s armchairs
1 stone table (from Ventura Lino)
Metal bowl 1970
Room 2
Jolie Pluie (2023)
The installation consists of numerous drops of painted steel wire, randomly scattered on the walls. The colors of the drops act like a light prism and recreate the vibration of a rainbow.
Jolie Pluie (2023)
The installation consists of numerous drops of painted steel wire, randomly scattered on the walls. The colors of the drops act like a light prism and recreate the vibration of a rainbow.
The Beauty of a Scar (2012)
Like a membrane, the horizontally hand-drawn line delineates the space of an imaginary river. The coloring of the stones, an indicator of time passed, follows the flood line. These rock sculptures, marked by the memory of water, capture and contain the passage of time.
Like a membrane, the horizontally hand-drawn line delineates the space of an imaginary river. The coloring of the stones, an indicator of time passed, follows the flood line. These rock sculptures, marked by the memory of water, capture and contain the passage of time.
FURNITURE BY STUDIO JIBÉ
CERAMICS BY ELIZABETH JOULIA, 1950s
CERAMICS BY ELIZABETH JOULIA, 1950s
FURSAC Spring-Summer 2025 Collection by Gauthier Borsarello
6 LOOKS PRESENTED UNDER PLEXIGLASS AND 63 PIECES PRESENTED ON RACKS.
6 LOOKS PRESENTED UNDER PLEXIGLASS AND 63 PIECES PRESENTED ON RACKS.
Speakers by GBBH
Original soundtrack by Kamal El Aoufi
Video Lookbook SS25
Creative director: Gauthier Borsarello
Art direction: LJBTN STUDIO
Director: Luca Lellouche
Production: White Dot
Models: James Sweet / Kwesi Derkyi / Mack Carpes / Molly Merlan / Noah Hanes / Zack Carton
Casting director: Arthur Méjean
Make-up: Caroline Fenouil
Hair: Eduardo Bravo
Original soundtrack by Kamal El Aoufi
Video Lookbook SS25
Creative director: Gauthier Borsarello
Art direction: LJBTN STUDIO
Director: Luca Lellouche
Production: White Dot
Models: James Sweet / Kwesi Derkyi / Mack Carpes / Molly Merlan / Noah Hanes / Zack Carton
Casting director: Arthur Méjean
Make-up: Caroline Fenouil
Hair: Eduardo Bravo